One way to visualize the fretboard is through scales and scale patterns. This is generally the first layer of the puzzle that guitarists uncover once they learn how to solo over the entire fretboard within a diatonic key.
This is what I refer to as “scalar thinking”. Scalar thinking doesn’t take the underlying chords within the song/progression into account, and the only thing that you need to be aware of is the key of the song or chord progression that you are playing over.
The lessons below were pulled from the archives page and are presented in a logical order in which each subsequent lesson expands on the previous one.
How to Determine What Key You are in
Basic Root Position Scales
- The Minor Pentatonic Scale
- The Major Pentatonic Scale
- The Blues Scale
- The Natural Minor Scale
- The Major Scale
- The Harmonic Minor Scale
The Relationship Between Major and Minor
Easy Areas to Fall Back on When You Are Playing in an Unfamiliar Key
Spaning the Pentatonic Scale Across the Fretboard
The Full Diatonic Scale (aka. Major and/or Minor)
- Visualization Using 5 Positions of the Diatonic Scale
- Visualization Using 7 Position of the Diatonic Scale
Exercise for Combining the 5 Pentatonic Positions With the Full Diatonic Scale
Musical Demonstration of “Scale Combining” Using 5 Fretboard Positions
How to Combine the Major and Minor Pentatonic Scale in Parallel
- Hybrid Scales – How to Combine the Major and Minor Pentatonic Scales Together
- The ULTIMATE Major/Minor Hybrid Scale – Dorian/Mixolydian Combo
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